| Lens | 15-25mm f/1.3 |
|---|---|
| Running speed(s) | Variable. Thought to be 16-24 fps |
| Format(s) | Dual Guage. Super 8 & Standard 8 |
| Reel Capacity | 400ft (120m) |
| Lamp | 12V 100W A1/231 (EFP) |
| Reverse Projection | Yes |
| Automatic Threading | Yes |
| Sound | No |
| Weight | Unknown |
| Power source | Unknown |
| Made in | Japan |
| Additional Information | Has a film trimmer and loop restorer |
ELMO K-100SM
Hanimax SR8600
| Lens | 18-30mm f/1.5 20-32mm f/1.4 |
|---|---|
| Running speed(s) | 18 & 24 fps |
| Format(s) | Super 8 |
| Reel Capacity | 400ft |
| Lamp | 8v 50w A1/229 (EFM) |
| Reverse Projection | Yes |
| Automatic Threading | Yes |
| Sound | Yes. Magnetic. |
| Sound output | 2w 8ohm |
| Sound recording | Yes |
| Weight | Unknown |
| Power source | Unknown |
| Year of production | 197?-19?? |
| Original Price | Unknown |
| Made in | Believed to be made by Haking in Hong Kong |
Fuji Fujicascope M36
| Lens | 15-25mm f/1.3 |
|---|---|
| Running speed(s) | 14-24 fps |
| Format(s) | Dual guage. Super 8 and Standard 8 |
| Reel Capacity | 400ft (600ft of single 8) |
| Lamp | 12v 100w A1/231 (EFP) |
| Reverse Projection | Yes |
| Automatic Threading | Yes |
| Sound | No |
| Weight | 10.3 lbs (4.67 kg) |
| Power source | Unknown |
| Year of production | 197?-19?? |
| Original Price | £69.95 |
| Made in | Japan |
Royal Sound 75/A
| Lens | 16-26mm f1.5 |
|---|---|
| Running speed(s) | 18 & 24fps |
| Format(s) | Super 8 |
| Reel Capacity | 400ft |
| Lamp | 12v 75w A1/230 (EFN) |
| Reverse Projection | No |
| Automatic Threading | Yes |
| Sound | Yes |
| Sound output | 8ohm |
| Sound recording | No |
| Weight | Unknown |
| Power source | Unknown |
| Dimensions (W x H x D) | Unknown |
| Year of production | 197?-19?? |
| Original Price | £75 |
| Made in | Italy by Gioca |
Very cheaply made projector which is prone to scrathcing films!
Unless you want a projector for a display peice, even then it’s quite ugly, avoid this one.
Debrie 16 professional
| Lens | 2" f/1.4 |
|---|---|
| Running speed(s) | Believed to be 18 and 24 fps |
| Format(s) | 16mm |
| Reel Capacity | 2000 ft |
| Lamp | 750w |
| Automatic Threading | No |
| Sound | Yes |
| Sound output | 20w |
| Sound recording | No |
| Weight | Projector and speaker in case: 95 lbs (43 kg) |
| Power source | 110v A.C. 50Hz. Transformer provided for 200/250v |
| Dimensions (W x H x D) | Case for projector: 21" x 17" x 10" (53cm x 43cm x 24cm) Case for speaker: 22" x 19" x 10 1/2" (56cm x 48cm x 27cm) |
| Year of production | 194? |
| Additional Information | 3 pin claw |
Sound and silent versions of this projector were available.
EIKI NT Models 0, 1, 2 & 3
| Lens | 50mm (2") f/1.2 |
|---|---|
| Running speed(s) | 24, 18 and still picture |
| Format(s) | 16mm |
| Reel Capacity | 600m (2000ft) |
| Lamp | Main lamp: 24V 250W A1/259 (ELC) Exciter: 4V, 0.75A (BRK) |
| Reverse Projection | Yes |
| Automatic Threading | Yes |
| Sound | All models have optical sound. Models NT-2 and NT-3 have magnetic playback too. |
| Sound output | 20W RMS |
| Sound recording | Models NT3 have magnetic recording |
| Weight | 16.5kg (36.4 lbs) |
| Power source | Available from 100 to 240V 50Hz or 60Hz |
| Dimensions (W x H x D) | 29cm x 35cm x 35cm (11.4" x 13.8" x 13.8") |
| Made in | Japan |
| Additional Information | Available with 2 or 3 bladed shutter. Some also have 5 blade shutters fitted for telecine, although I don't think this was ever done by EIKI. Difference between models: Model 0 Internal speaker only Model 1 Includes two speakers in removable cover Model 2 Includes magnetic playback Model 3 Includes magnetic recording |
There are a range of prime and zoom lenses available for this and other EIKI projectors.
The user manual and service manual for this projector are available free from the downloads area.
Build a 16mm movie projector
From Hobbies Weekly May 16th 1956. Vol. 122, Number 3159.
Make it yourself
Entertain your friends at home — with this 16mm. MOVIE PROJECTOR
Says F. G. Rayer
This projector can be made without any particular difficulty, and will give very good results. Quite a number of different mechanisms for transporting the film are found in ready-made projectors, but some are very difficult indeed to build at home, due to the complicated nature of the parts required.
For a steady picture, the transport mechanism is very important, while undue noise is undesirable, and very likely to arise with some home-built mechanisms, especially those of the Maltese Cross type. Because of these points, a claw transport system is used, and this is quite silent, even when running rapidly. Provided the important dimensions are measured correctly, the mechanism will work satisfactorily, and it has the great advantage of very few moving parts.
Though the projector is intended for 16mm. film, it would be possible to use 35mm., 8mm., or 9-5mm. films, by modifying the dimensions of movement and gate (the aperture where the film is illuminated). Read more »
Noris NORISOUND 110
| Lens | 15-25mm NORISTAR f/1.3 (Can also be replaced with 12-30mm Schneider Xenovaron f/1.3) |
|---|---|
| Running speed(s) | 18 and 24 f.p.s. |
| Format(s) | Super 8 |
| Reel Capacity | 600ft (180m) |
| Lamp | 12v 100w EFP |
| Reverse Projection | Yes |
| Automatic Threading | Yes |
| Sound | Yes |
| Sound output | Sinusoidal output: 6w Music output: 10w Freq. 60-10,000Hz (18 fps) 60-12,000Hz (24 fps) |
| Sound recording | Yes |
| Power source | 110, 130, 150, 220, 240 or 250v 50 or 60Hz 220, 240 & 250v require 1 amp slow fuse 110, 130 & 150v require 2 amp slow fuse |
A Sound Synchronising Unit for 8mm Cine
Reproduced from Practical Mechanics April, 1962
Original scans below.
A Sound Synchronising Unit for 8mm Cine
By J.M.Turner
With the ever increasing popularity of 8mm cine photography many amateurs will have wished for a sound track to accompany their films.
For satisfactory results it is essential that the tape recorder and projector be synchronised.
The method given here was finally chosen after much experimenting as being by far the simplest and most efficient for amateur construction.
The degree of synchronisation obtained is extremely good. After a three-quarter-hour continuous run which is about the longest possible with standard equipment, the synchronisation at the end is still excellent.
The cost of the unit to be described should not be more than a pound if everything is purchased, but most of the material can be found in the junk box.
Some projectors may be designed in such a manner that it will be practically impossible to add such a unit, but this must be determined by inspecting the existing layout. Read more »
Making a 9.5mm Cine Projector – Part 1
Making a 9.5mm Cine Projector
From Newnes Practical Mechanics
December, 1956
The film projector was constructed for experimental purposes to project films at 16 and 24 frames per second. The general arrangement of the machine is shown at Fig. 1.
The projector is of conventional design, with an intermittent frame shift by a claw shuttle and a continuous film feed by sprockets. A similar frame shift mechanism may be designed for 8 mm. or 16 mm. film from the film dimensions set out in British Standards Specification 677 : 1942. Read more »






